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Friday, March 30, 2012

CASTING AGAINST TYPE










Theatre director and writers or their characters will often cast against type. Think about the sweet, innocent child who wrecks havoc on his playmates and siblings—a monster who cannot be saved by parents, priest or psychiatrist. Example: The Bad Seed written by William March, later made into a film, where a mother begins to believe her child could be a cold-blooded murderer.
And who hasn’t written or read about the handsome, personable and—oh yes—intelligent man—unfortunately a serial killer—who revels in matching wits with detectives, police or the FBI? There’s a prime example in Dr. Hannibal Lecter, starring in a series of horror novels, penned by Thomas Harris. How many readers fall for the virginal, usually blonde ingĂ©nue whose obsessive love, jealousy and neediness will ruin the lives of people whose lives touch hers. Read Leave her to Heaven written by Ben Ames Williams—another novel to film with Gene Tierney, Jeanne Crain and Cornell Wilde.
The affectionate relative or teacher who turns out to be a pedophile? Or not? Doubt—a play written by John Patrick Shanley kept audience members debating for days after they left the theater. Did Father Flynn molest the boy or was Sister Aloysius, a woman of iron convictions, accusing an innocent man who was guilty of nothing but befriending the child and personalizing the priesthood?
The bad stepmother has been handed down from old folk tales—what about Snow White and her jealous stepmother—the Queen—characters written by the Brothers Grimm. Books that tell us about the good stepmother who gives her all? There aren’t many. One that stands out is Butterfly’s Child by Angela Davis-Gardner. The story takes place after the geisha Cio-Cio San kills herself leaving her child Benjie to her lover—the child’s father and his new American wife. The author’s inspiration—Puccini’s opera—Madame Butterfly. Perhaps more books are waiting to be written about the good stepmother.

When my creation twists, turns and changes the route I jotted down so carefully—I have to pay attention. A call from my character may be a surprise—sometimes pleasant, sometimes not—that alters the course of my book. I try to be ready to embark on an entirely different escapade. A not to be missed venture into the unknown.



Bests,



Elise



Scene Stealer an eBook cozy mystery



Download hot ebooks from Carina PressAudiobooks at audible.com!

Monday, March 19, 2012

TITLES

Belong to Theatre Development Fund and when I checked their site, I saw an ad for Newsical The Musical and promptly bought tickets thinking it was the show about the young boys who early in the century sold newspapers on the streets of NYC. the boys wanted to earn a penny more for each paper they sold but the big newspapers magnets said ,"NO." The boys went on strike. The show was due to start according to my confirmation notice at 3:00 pm but when I glanced at the Arts Section of the NY Times, I saw a different time and a different address. After a few phone calls, I found out I had bought tickets for an entirely differnet show. The show about the newsboys is called Newsies.
But Newsical The Musical turned out to be a delightful satire on politics, the demise of soap operas, talking heads, television and Dr. Spock. The cast features a multi-talented cast who I'm sure will become familiar names in the very near future. So "Thank you," Chistina Bianco, Christine Pedi, Tommy Walker, Michael West and the Musical Director Ed Goldschneider for an extremely entertaining afternoon.

Bests,
Elise
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Thursday, March 8, 2012

I KNOW THAT CHARACTER

A dear, longtime friend of mine was given an eReader for Christmas. The first ebook she bought was the book on Thomas Jefferson and the second my cozy mystery titled Scene Stealer.

I received a phone call.
FRIEND
I liked your book, I really enjoyed reading it and I know who the characters are.

ME
(Confused)
You do?

FRIEND
Sure. You’re Augusta Weidenmaier. You based the lead character on yourself.

ME
Uhh…no. Miss Weidenmaier is much older than me. I never taught children. She may be loosely, very loosely based on an old character actress I worked with.

FRIEND
C’mon. And what about the actor that does hand commercials? You had that fat tenor we worked with at the beach in mind, didn’t you? I could just see him. It has to be him.

ME
What fat tenor?

FRIEND
You know. What’s his name?

ME
I don’t remember what’s his name. Actually, part of him is a her, based on the ex wife of a dancer who did hand commercials and had her husband do the dishes. And the character is not fat and can’t sing a note and has extremely small feet just like a supervisor I once worked for.

FRIEND
Well don’t tell me I’m not Annalise. I could sing, I could tap and I certainly worked off-off Broadway.

ME
Oh, my God.

FRIEND
Don’t worry—I’m not going to sue you or anything. I like being in your book.
At that moment I thought of a teacher who told us not to worry about the meaning of what we write. “If people like what you write,” he said “they’ll tell you what it means.”


Bests,
Elise

Download hot ebooks from Carina PressAudiobooks at audible.com!

Thursday, March 1, 2012

SNIFFLES



Are you able to sit at your computer and write when you're not feeling well? Does a cold or fever get you down, down, down and do find yourself napping instead of typing away? A cold will keep me at home and at my computer and when I nap, my thoughts stray and I think about my characters, my setting, my plot until I drift away into a state of oblivion. Unless the cold is in my throat...as a former singer, a scratchy throat drives me crazy. vitamin C, lemon cough drops and chicken soup become a necessity. How does feeling "under the weather," affect you?






Bests,